Holding It All Together: Reflections After Recent Tragedies in Jerusalem

This week has been filled with more heart wrenching stories from the ongoing tragedies in Israel. In this context someone shared with me a poem of Israeli poet Yehuda Amichai. The poem is called “The Diameter of the Bomb”.

The diameter of the bomb was thirty centimeters
and the diameter of its effective range about seven meters,
with four dead and eleven wounded.
And around these, in a larger circle
of pain and time, two hospitals are scattered
and one graveyard. But the young woman
who was buried in the city she came from,
at a distance of more than a hundred kilometers,
enlarges the circle considerably,
and the solitary man mourning her death
at the distant shores of a country far across the sea
includes the entire world in the circle.
And I won’t even mention the crying of orphans
that reaches up to the throne of God and
beyond, making a circle with no end and no God.

What is the full impact of violence? Is anyone truly spared from the effect of destruction in the world? The words “no end” in the last line in Hebrew אין סוף- ein sof  is one of the ways we refer to God. So in some sense this violence itself might impact God or even be an act of deicide . Does violence know any limits? In a very poetic way Amichai is describing the etiology of tragedy inside the “thirty centimeters” of a bomb.  What did this world look like before this big bang?

I was thinking about this when reading Toldot, this week’s Torah portion, when we read about the pregnancy of Rivka. There we read;

And the Lord said to her: Two nations are in your womb, and two peoples shall be separated from your bowels; and the one people shall be stronger than the other people; and the elder shall serve the younger (Genesis 25:23).

At the simplest level Rivka learned about her discomfort with being pregnant with twins. The prophecy did not just warn her about carrying two fetuses in her womb; she had “two peoples” in her body. There is no wonder that she is not comfortable; she was to give birth to entire nations with her body being transformed into a proverbial clown car. On a deeper look, while this might have been said to allay her biological fears of a difficult pregnancy, she is left with the psychological horror of having to parent two children who will be at each others’ throats. Her womb is holding together a history of war similar to  Amichai’s bomb.

While we are all God’s children, God is alone in seeing the unfolding of our history of bloody sibling rivalry. The pregnant Rivka embodies the internalization of the pain of the clash of civilizations. She represents the discomfort of knowing that there will be strife in the future between two people who share much in common and should love each other as brothers. I am not saying that Rivka and Yitzhak were the best parents, but I do want to connect with her fear for the future. This reminds me of what Golda Meir said to Anwar Saddat, “We can forgive you for killing our sons. But we will never forgive you for making us kill yours.” When will we both be ready to struggle together to achieve a lasting peace? I hope that we can keep the hopes and aspirations of a pregnant mother in mind.

 

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